Representation

 REPRESENTATION

Evaluation of the Representational Politics of Stranger Things: Use of Film Techniques and Character Building

The way Stranger Things exploits its circumstances deliberately knowing what it is going for is at the top-tier film-making level. This is illustrated by looking at two of the major characters, Eleven and Sheriff Hopper, in how different shot types - and techniques – and perspectives, contribute to their representation. 

In most instances, Eleven is shown in low-angle shots when her powers are in use. The reason is to encourage the notion of power. However, extreme close-ups and medium shots, in between long shots, expose her different side- the power side versus the emotionally drained side. This way of presenting adds more layers to the character since anybody can see how powerful yet fragile she can be at the same time.

On the other hand, Sheriff Hopper is shown in a lot of long shots to show how he is alone and how he is divided within himself. There are more two-shots in the film as the relationship between Sheriff and Eleven develops which are more visible to the viewers. Whip pans and fast zooms are frequently used in any action film which adds and maintains the suspense and excitement in the viewers.

Arts and Drama, as elements of Stranger Things, thanks to these moves, do great justice to the characters, horror and emotional transactions have been so well balanced to make the viewer want to watch again. Following is a clip with an action movie whip pan shot and a still picture of Eleven's downward elevation shot - such good attention to detail!

Low angle

 

amzaing editing and fast shots